Sunday 30th October 2011

by Jennifer 8. Lee
Imag2860

Junot Diaz and Min Jin Lee took to the stage for a con­ver­sa­tion at the Asian Amer­i­can Writ­ers Work­shop Page Turner Fes­ti­val, held at Pow­er­house Books in Dumbo. We were amazed at how many peo­ple showed up despite the apoc­a­lyp­tic weather of sleet, wind and freezingless.

Junot was hum­ble and inspir­ing as always. A long time friend of the Work­shop, Junot hasn’t changed, despite win­ning the Pulitzer Prize (among many other hon­ors) for The Brief and Won­drous Life of Oscar Wao. He and Min Jin met in Korea on a State Depart­ment cul­tural trip of sorts, where she was sup­posed to be the Korean Amer­i­can, and he was sup­posed to “the American”

Here are some tid­bits from the talk, par­tially from my own notes and par­tially from the lovely tweet­ing by Sepia Mutiny. Some of these may be slightly off in our haste to take notes.

Junot quit writ­ing his novel twice for over a year. Some­times you just enter a “free fall” where “you don’t believe your words are worth any­thing.” It took him ~13 years to write novel (Min Jin took 12, beat him by a year, she said.)

Junot said, “I live in the uni­verse of doubt. The hard part isn’t writ­ing the book — it’s fin­ish­ing it.” He added, “To fin­ish a book, you need com­pas­sion for your­self.” He added, “I looked into a mir­ror and said, “It’s okay. You suck.’”

Junot is not a big fan of work­shops, describ­ing “the work­shop­ping habit of writ­ing for writ­ing.” He added, “I taught two years of writ­ing work­shops with­out the ‘reader’ being men­tioned.” You should give read­ers more credit, as they are used to not under­stand­ing stuff.

“Read­ers are mas­sively accus­tomed to unin­tel­li­gi­bil­ity. There’s tons of shit in a book they don’t under­stand,” he said. “If a reader can make sense of 60 per­cent of what they read, it’s a win to them.”
Junot took out the famous foot­notes in Oscar Wao when his first edi­tor didn’t like them. Then the edi­tor left the pub­lish­ing house and he put them back. Basi­cally, trust your­self on how out there you can be artistically.
Nov­els are espe­cially hard to write, because “you can write a per­fect short story,” but you can’t write a per­fect novel. And you can’t keep it all in your head. So there has to be a greater degree of trust.
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